The Apron Theater Co/Next Stage Project
THE APRON THEATER & NEXT STAGE ARTS PROJECT
Presents MOTHER COURAGE and Her Children JULY 13-16 and 20- 22
Mother Courage and her Children, the modern classic drama that changed the direction of theater in the twentieth century, is coming to southern Vermont. The Apron Theater Company will present Bertolt Brecht’s play at Next Stage Arts Project in Putney, July 13 – 16 and 20 – 22. The Thursday, Friday, and Saturday performances are at 7:30. There will be one matinee, Sunday the 16th, at 2:00. Mother Courage will also be participating in the Great River Theater Festival July 6th and 9th.
This sprawling, boisterous play confronts the savagery of war with sardonic humor, frequently expressed through song. Brecht had learned in The Threepenny Opera the power of music to entertain and underline a point. We can’t help laughing, but there’s a shudder underneath. In this production, nine actors play thirty-two different characters: officers, soldiers, peasants, a prostitute, a cook, a chaplain, Mother Courage’s two sons and mute daughter. The sons explain how she got the name: “She drove through a bombardment with fifty loaves of bread in her wagon!” Was this heroism to feed starving people or a chance to make a sale? “I couldn’t help myself,” she says, “They were going moldy.” She fights to survive and keep her children safe, but she can’t resist the lure of a deal. Then there’s the wagon with her merchandise, almost another character. The final image of her hauling it alone across the scarred landscape of war is one of the most memorable moments in the history of theater. It’s hard to resist. But is she a tragic heroine or a war profiteer? Victim or exploiter?
Karla Baldwin directs this production, and Christopher Emily Coutant takes on the famously challenging role of the battlefield market woman. Christopher spoke recently about those challenges: “She’s so contradictory! She’s passionate about conflicting goals. You know, people can be mixed up that way, and it can get you in serious trouble. It certainly does with her. But how does an actor show all that? I’m working on it. The songs help. They sort of clarify things. And they’re fun! Brecht’s humor can be quite broad, even bawdy at times. Like in Shakespeare, tragedy and farce in the same scene.”
Bertolt Brecht created a new kind of theater for what he called the “dark times” in which he lived – theater that disdained the illusions of naturalism and the cozy conventions of middle class comedy in order to address head-on the political and social forces that were overturning the lives of ordinary people. He set Mother Courage during the Thirty Years War of the 1600s, a period as vivid in the memory of his native Germany as the Civil War is for us. But he was thinking about his own time. He had fled from the Nazis. Fascism was ascendant, threatening all of Europe, fomenting anti-semitism and racial prejudice. War would come in a few months.
Today, many consider that we live in a new “dark time” with some of the same threats reappearing: xenophobic nationalism, refugees fleeing ethnic or religious hatred, civil war in Syria, terrorist atrocities. Mother Courage remains as relevant and electrifying as it ever was.
Next Stage is at 15 Kimball Hill, Putney, VT (across from the General Store). It is handicapped accessible. Tickets are $15 and available at www.nextstagearts.org or 802-387-0071.
The Apron Theater Company will present Mother Courage & her Children, by Bertolt Brecht, July 13-15, and 20-23, with a matinee on July 16, 2017,
The Apron Theater Company will present Title and Deed, a Monologue for a Slightly Foreign Man, by award-winning playwright Will Eno, February 17-19, 2017, at Next Stage. The production will
feature Michael Fox Kennedy, familiar to Apron Theater audiences for his performances in The Cripple of Inishmaan and Other Desert Cities. Christopher Coutant will direct. This is Mr. Kennedy’s second one-man show. He presented his own play assembled from the words of Abraham Lincoln at many venues around New England. Eno’s Title and Deed, in its 2012 New York production, was selected for the year’s “ten best plays” lists by both the New York Times and The New Yorker. The Times described it as “a haunting and often fiercely funny meditation on life as a state of permanent exile.”
- A protective covering worn while creating… a meal, a sculpture, a garden.
- The part of the stage closest to the audience.
Making theater is akin to preparing a lavish meal for friends – there is care and sustenance and a communal feeling of coming together… this spirit of sharing informs our aspirations and practices for the theater work we do at The Apron.
The Apron was born from this impulse to come together as a community through the making and sharing of story.
We are committed to exploring challenging theatre –
To cultivating a collaborative atmosphere and home where theater makers can explore new territory, take risks – and engage our neighbors/audience in lively theatrical events.
The Apron Theater proudly collaborates with The Next Stage Arts Project as theatre-in-residence. Our partnership with the generous and focused folks at Next Stage makes it possible to create a home, dialogue with audiences, and engage with the community.
The Apron Theater is co-directed by Karla Baldwin & Hallie Flower.